This time it’s not under the banner of “Network Neutrality” but under a more directly confronting title of “Sender Pays.” The principle is much the same: network providers want to charge both their customers and the content providers to carry content to users. So, the entire set of network neutrality issues, interconnection and settlements, termination monopolies, cost allocation and infrastructure investment economics are back with us again. Clouding the issue in Korea was the additional factor that some local content providers were already paying Korean ISPs for content stream access, so this dispute was easily cast as a battle between local enterprises and an overbearing US giant refusing to do what the local players are already doing. Some Korean lawmakers have spoken out against content providers who do not pay for network usage despite generating large traffic volumes. The Seoul Central Count ruled that SKB has legitimate grounds for compensation, and the amount is a matter of negotiation between SKB and Netflix. It had a reprise in 2021 when SK Broadband (SKB) launched legal action, claiming that Netflix should pay the costs of supporting increased traffic loads in response to a surge of SKB’s customers streaming Netflix content. The Korea Communications Commission stepped in and called KT’s actions “inappropriate.” KT backed off with the network blocks on these televisions, and the inexorable rise of high-definition content streams continued in Korea and all over the Internet, in the ensuring decade.īut the issue never went away. Samsung’s response was to invoke the principles of Network Neutrality, whereby, they claimed, consumers should be able to use network services without any active discrimination by the network provider, and also casting doubt on the argument that the streaming service was an excessive consumer of network capacity in any case. Considering that KT was the country’s major broadband access provider and Samsung was (and still is) a major retail brand, this was always going to excite a public reaction. The response from Korea Telecom (KT) was a rapid escalation by blocking these units from accessing KT’s broadband access network. There was the Centre for Democracy and Technology’s (CDT) dire warning that the “ETNO proposal threatens to impair access to open global Internet” ( CDT response”) which was pretty representative of the reaction from much of the Internet sector.Īt the time, there were no changes arising out of WCIT-12, and the matter would’ve remained a simmering undercurrent in the industry were it not for Korea.īack in 2012, so-called “smart TVs” were the new thing, and Samsung launched a high-definition video streaming service in South Korea. The proposal excited some reaction at the time, with varying levels of hyperbole. Or, in their words, “advocating for an adequate return on investment based, where appropriate, on the principle of sending party network pays” ( ETNO Proposal”). Driftwood tile floors, rustic handcrafted furnishings, boathouse artwork and hand-painted quotes from great American novelists add to our whimsical retro vibe.In September 2012, ETNO, the European Telecommunications Networks Operators’ Association, or most notably Deutsche Telekom and France Telecom and fellow legacy telcos in Europe published a contribution to the 2012 World Conference in International Telecommunications (WCIT-12) with a proposal for regulatory reform that in ETNO’s words would compel content providers to directly contribute to the costs on Internet communications infrastructure. Islamorada is gorgeous, and we strive to pull the exterior beauty into our accommodations: In our quaint “boathouse chic” rooms and suites, splendor meets solitude and style. This lively resort is home to 14 acres of beach, iconic waterfront dining options, two pools, resort activities, a legendary marina, and an on-site dive center. Wake up to the sun rising over the ocean at Postcard Inn Beach Resort & Marina for a day filled with watersports and all-day fun.
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